Lavender-licious

I have long been a fan of lavender. What started as a vague liking of lavender has become a near obsession.

My college roommate bought me a lavender sachet as a gift from France - more than ten years later, it's still in my drawer, despite the fact that it really doesn't smell like much anymore.

I visited Matanzas Creek Winery winery when I was still living in San Francisco. Don't tell the authorities, but I snipped a little stem of lavender from a bush and stored it in a Krispy Kreme hat that sat in our car for 5 years.


I started a few lavender plants from seed this year, which yielded about 2 stems of flowers in total. I'm hoping 2010's crop will be a bit fuller.


So this week, I'm making a dessert dedicated to my favorite flower: rosemary cupcakes with lavender frosting. An odd combo? Perhaps. Lavender-licious? Definitely.


It seemed like it would be pretty straightforward. Find a standard cupcake recipe and frosting recipe and add some herbs and flowers. Easy, right? Eh, I may have hit a few bumps on the way.


I went to epicurious.com - my trusty go-to site for recipes - and found this recipe for a simple white cupcake. Decent reviews, and it looked pretty simple. I made the recipe as stated with a few modifications. I accidentally used more butter than the recipe called for - 5/6ths of a cup instead of the 2/3 of a cup that the recipe calls for. Oops #1. That is a lot of butter. Yum/yuck. For anyone who doesn't do a lot of baking, it's a little gross to see how much butter it takes to make a measly cupcake. Truthfully, I don't think that more butter really hurt anything except my waistline.

This is where things get craaazy! In place of the vanilla, I used 6 tsp of dried rosemary crushed into the smallest pieces I could muster with my bare hands. Oops #2. It turns out that spears of rosemary get a little bitter when you chew them. I recommend a mortar and pestle to get the pieces as small as possible. Then mix it in with the flour and milk.

Warning! This recipe produces a lot of cupcakes - 18 to be exact. I don't recommend making this many unless you have a planned outlet for them. Perhaps you can write a blog and distribute them to friends who read your blog?

I popped those bad boys in the oven and let them bake for a while. I must not be used to using my oven very much. Oops #3. At one point, instead of turning off my oven timer, I accidentally turned off the oven. No wonder the cupcakes seemed to stop baking at one point. They were a tiny bit crustier on top, but generally no worse for the wear.

As for the frosting recipe - personally, my favorite part of a cupcake - it was a no-brainer. I used Sprinkles' recipe for its famed vanilla buttercream frosting. I then mixed in 9tsp of whole lavender flowers (easily found at my Jewel's spice section). I think this was maybe Oops #4. Similar to rosemary, I think the essence of the lavender would have been a little better if I had just crushed the buds a bit more with a mortar and pestle. Also, Chris made me add more lavender to the recipe because he didn't think the flavor was strong enough. I think you could get away with 6tsp and still be in good shape.

Again, this frosting involves a lot of butter and a lot of sugar. 18 cupcakes = 4 sticks of butter in total. Sprinkles tells you that this is enough frosting for 12 cupcakes, but I frosted 18 cupcakes and still had some left.

I used an offset spatula to frost the cupcakes, and voila! Lavender-licious.

So, in the end, how did these cupcakes turn out? Not too shabby! I would definitely make these again as a unique alternative with the modifications I stated above. If you're interested, try it out for yourself. It was fun and weird to toss ingredients in to my cooking that I wouldn't normally use.

Happy baking!

(Recommended) materials used for this project:

Cupcakes

• 3 cups all-purpose flour
• 2 1/2 teaspoons baking powder
• 1/2 teaspoon salt
• 2/3 cups unsalted butter, softened
• 1 3/4 cups sugar
• 2 eggs
• 1 1/4 cups whole milk
• 6 tsps rosemary, crushed with mortar and pestle

1. Preheat the oven to 350°F. Prepare cupcake tins as directed as directed in the recipe you are following.
2. Sift the flour, baking powder, and salt together in a medium bowl.
3. In a separate, larger bowl, cream the butter. Gradually add the sugar, creaming until light and fluffy.
4. Add the eggs one at a time, and beat well after each addition.
5. In a small bowl, combine the milk and vanilla.
6. To the butter mixture, add about one quarter of the flour mixture and rosemary and mix well. Add about one quarter of the milk mixture and mix well. Continue alternating the flour mixture and milk mixture, beating after each addition until smooth.
7. Pour the batter into the cupcake tins. Bake for 20-25 minutes, until the cake springs back when touched.
8. Remove from oven and let cool for about 10 minutes, then turn the cupcakes out of the tins and onto a rack to finish cooling completely.

 Frosting

• 1 cup butter, softened
• 3 1/2 cups confectioners' sugar
• 1 teaspoon milk
• 1 teaspoon vanilla extract
• 1/8 teaspoon salt
• 9 teaspoons lavender, crushed with mortar and pestle 

1. In a bowl combine butter, sugar and salt. Beat till blended.
2. Add the milk and vanilla and beat for an additional 3 to 5 minutes or until smooth and creamy.

Hike Up That Skirt

My mother told me when I was younger that learning to sew would be an essential life skill. As a wife, I would be responsible for taking care of all the housework and ensuring that my husband's pants were properly hemmed. It turns out that my mothers' sewing mini-courses didn't really stick with me over time, so my skills are a little sub par. Luckily, I had a pretty strong backup by going to college, finishing grad school, and having a career.

Still, I can't deny that knowing how to sew is a useful skill. This week, I've tried to put my skills to use - not on my husband's clothes, but on my own. It is an experiment in how I can improve my current wardrobe. No, I'm not extremely petite. I'm actually 5'4", which is the height of the average American woman. Unfortunately, clothing manufacturers seem to think that we're all Glamazons with 45-in inseams.

I protest! But in the meantime, I have to make do with what I have. Short legs, meet long skirt:

I've had this skirt for a few years now, and every time I wear it, I feel like it makes me even more of a midget than I already am. My legs shrink and become stumpy, and not even the highest heels can rescue the look (as evidenced by the photo above). Short girls, you know what I mean!

As a side note, I've discovered that shopping at teen-oriented stores (like Forever 21) can actually be a better bet than the petites section at a chain store like Banana Republic because of the skirt length and variety of styles. Apparently teenagers like their skirts shorter. And their quality lower.

Anyhow, I decided to take on the gargantuan task of figuring out how to hem a circular hem. If any of you have tried this before, you know that it's not totally easy to create a circular hem that's even and attractive. So, I took advantage of the layered construction of the skirt and decided to make the part that I was hemming invisible by showing only the fluffy crepe layer  (the shiny one that's not currently at the bottom):

So, rip, rip, cut, snip, off come 6 inches of skirt! It was pretty easy to get all that fabric off because of all the seams on the back of the skirt, and there was even enough fabric to leave room for a hem that I could hide underneath the bottom layer.

Using my mom's trusty old sewing machine, I did the best I could to shore up my loose end.

I have to admit that I wasn't being that careful with the hem since I knew it would be mostly hidden, but my hem was REALLY crooked. Plus, when I got to the side seams, there was a fair bit of shortcutting required to make it all join together.

Still, I think that you can't really tell from three feet away - I can just tell that I have knees again!

So, what do you think? An improvement? Creative? Ruined? It's the right time to be thinking about performance reviews, so I'll be wearing the skirt to work next week to get some face-to-face feedback.

Materials used for this project:

• A skirt that's too long
• Scissors
• Seam ripper
• Black thread
• A sewing machine
  

Trying My (Blackened) Hand at Drawing

To continue my holiday theme, I want to tell you about the fantastic Christmas gift my husband purchased for me this year. I have to say that among ideas he has come up with, this was a pretty good one - a course of art classes at Lillstreet Art Center. Nice work, Chris! I forgive you for the L.L. Bean moccasin debacle.

Despite my mother pressuring me to take jewelry making (I mean, really? What am I going to do with learning how to texture metal, Mom?!), I decided to go with Beginning Drawing.

So, I told you in my first blog post that I'm not the best artist. I was constantly ruining my GPA with stupid B's in art class. Luckily, I no longer have a 5th-grade straight-A streak to maintain, so there's a little less pressure on doing well in this class.

It's a good thing, too. My weak drawing skills didn't totally fail me, but I definitely was not as skilled of an artist as the other 5 people in the class. And people, that includes drawing circles.

We used vine charcoal and some compressed charcoal for this class. For those that know me really well, this whole art class is kind of an issue for me because I hate getting my hands dirty. I'm the girl who only uses four fingers to eat ribs. The other six are up in the air as if I'm drinking two incredibly tiny cups of tea. And for someone who hates messes, damn, I had no idea how messy charcoal could really be. There was dust everywhere - under my fingernails, in every crease of my hand, smudges on my face... I felt like I needed to be wearing a smock and sweatpants that I never want to wear again. I digress.

We started off slowly by literally drawing circles; then we upgraded to spheres:

Not so creative. But then, we started learning more about shading techniques, sizing, and positioning of an object on the page to manipulate how the object is perceived. We drew an apple:

...and an orange with a vase:

Personally, the apple was my favorite object of the evening. (Do you like the little shine on the top left?). However, the orange picture is the only one in which I made an artistic decision. That table actually ends another foot and a half to the left and another foot in front of those items. But I wanted to keep the focus on the orange and vase.

We learned that realistic depictions of things aren't the goal in drawing and artwork. It's about manipulating the artistic scene or setting so that you show your viewer what you want them to see. For someone who tends to get caught up in telling the truth about everything and in trying to depict how things ARE, this is a pretty freeing revelation. I can actually lie to you about how I saw things, enhance your experience, and not get into legal trouble! (Marketers, you know what I'm talking about!)

Stay tuned for future projects. I look forward to sharing more lies with you.

5 Years in the Making - Longest Project Ever!

It's not that I'm a procrastinator. I have deadlines and I meet them at work (that's for you, Ms. Manager!); I get my Christmas cards done almost completely on time; I'm typically on time to parties even after a rigorous hair routine. So why did this darn project me so long to finish?

I've been doing counted cross-stitch since I was in grade school. My mother would take me to Jo-Ann Fabric stores, and while she would pick out notions for some sewing project, I would wander the craft aisles looking for something more interesting than bolts of clown-printed fabric.I started with small counted cross-stitch projects (stamped cross-stitch is for babies!) that involved cats, or trite sayings, or small holiday images, eventually graduating to larger-scale photo-realistic projects.

Despite the fact that I don't even like most of the traditional American country/old lady images that are used in cross-stitch, I still continue to do it. Yes, the process of repeated movements is soothing, but there's just a certain sense of accomplishment and attachment to a physical piece of product that you spend so much time making. Once, I had my heart broken because someone literally ripped to shreds a little angel sampler that I had made as a gift. Ten years later, I've mostly gotten over it (mostly), but I no longer give gifts like that to people who might deliberately destroy them.

That said, I thought that a complex cross-stitch sampler would be an amazing gift for someone like my mom. Since she has done a fair bit of needlework in her day, I knew she would appreciate the work that it takes to pull something like that together. I chose a floral lily design with a lot of subtle shading and extremely small stitching detail. I always anticipated that this cross-stitch project would take a pretty lengthy amount of time. So, I budgeted a year or two so that I wouldn't have to work on it every waking hour of the day. Surprise! It took me five years.

My original plan was to go to give the finished piece to my mom - aptly named Lily - for Christmas or her birthday a few years after starting the project. Once that deadline blew by and I was still less than half finished, why not her big xxth birthday? (She would kill me if I put her age for everyone to see.) Well, that came and went, and I toiled to get it done for her birthday this year. I'm talking entire evenings, weekend mornings, and lost sleep to pull this thing together.

Well, May crept up on me, and I couldn't quite finish in time. I literally only had another week or two of work to do, so I decided that Christmas might be the magical day for the gift. A few borders and tassels later, things were wrapped up. And taa dah!:

That's my mom holding her fantastic birthday/Christmas gift. Doesn't she look happy?

So, is this really a creative project? No, not really. It's fuddy-duddy counted cross-stitch from a pattern that merely takes time; not creative juices. But given how much time I devoted to this project, I thought it was worth documenting.

Materials used for this project:

• "Gold Collection" Exquisite Lily Sampler in Counted Cross Stitch from Dimensions
• An eternity

Below are a few more photos for posterity:

• The package:

• The unbelievably detailed instructions (measuring about 24" x 36"):

• The thread and stupid grid of 27 colors I kept having referring back to to figure out exactly which shade of thread I needed to use. It is VERY difficult to tell the difference between light yellow green and plain old yellow green, so threads were separated into three different bunches:

• Finally, the finished product. Check out the detailed lilies-of-the-valley in the middle! 28 of those tiny x's per linear inch. That's 784 x's per square inch. I almost went blind:

I hope everyone has had a fantastic start to the new year. See you next week!

Ho, ho, ho! - Back After a Hiatus!

Hello, again! It seems that I have gotten lazy over the past few months. My creative juices ran dry after only 5 posts... in June?!

Not really. Let me explain and offer some advice. Never take on a large project in something in which you have no confidence. For me, that's writing fiction. I thought it would be fun to try taking on a new version of a chapter of Pride and Prejudice written in a modern tone. Except that I had forgotten how bad I was at writing fiction. Three weeks later, and totally burned out, I was left with a sucky version of HALF of the chapter and had been sapped of any desire to do something creative. For those interested in the text - too bad. That crap will never see the light of day. Working with physical objects is more my speed.

So, I'm back now, doing the things I enjoy! I've been occupying myself for the last month or two with my all-consuming annual project: handmade holiday cards! Typically, this involves a lot of paper, scissors, and glue - and this year hasn't been any different.

First, the design. This is inevitably the most maddening part of the process. Searching for ideas doesn't always work. I usually look through my little card making book, catalogs, magazines... Usually the idea just comes to me: a flash of inspiration (eureka!) in the middle of the day when I'm working on something totally unrelated to greeting cards.

Having been obsessed with Mad Men (including a theme party earlier this year), I drew inspiration from the show and AMC's "Mad Men Yourself" application. I figured that a little 60's style would be fun for my holiday cards. Who doesn't want a Gimlet, skinny tie, or house frock to brighten up the holiday season?

So, I made pictures of a male and female figure with the suit and dress that I liked:


Then I printed those images out on white paper and then cut out the clothing only so I could get a clean silhouette without the other body parts. I scanned the images back onto the computer so I could print them en masse from Powerpoint directly onto the red paper I was using. (This year's card was designed to be made mostly from leftover paper from previous years. If any of you do arts and crafts, you know what I mean. I am sick of having random paper scraps lying around the house!)


Snip, snip! Dresses and suits in red!

I used organdy ribbon to create a ruffle at the bottom of the dress. Despite my horrific freehand sewing skills, I gathered the organdy ribbon with a needle and thread to make a bunch of little ribbon lengths. I then sewed them onto the bottom of each dress to create a raised "hem." It's surprisingly difficult to create a length of ribbon the same length as a piece of paper unless you're measuring against it every second.

Cut velvet ribbon was used for the trim around the red suit jacket. I glued the ribbon to the jacket and then trimmed with scissors for a custom tailor job. Santa needs to look as slim for the big night!

I freehand drew some Santa hats. I have to tell you that Santa hats can look weird if you don't get the droopiness just right.

Sticking everything to the card and finishing it off with a "Merry Christmas" stamp is where the relief sets in for me. Sadly, I was a little indecisive this year about how I wanted things positioned, so there were a few versions as I have shown below, a few versions where the couple look like they are toasting each other, and a few versions with crooked stamp placement. (I should add that the stamp is totally optional in the case of non-religious friends. Unfortunately, I may have already offended with the Santa theme. Oh, well.)

Voila! It's a swingin' 60's Santa with his Mrs. Claus. Times 40 cards. Equals a lot of time devoted to cards instead of holiday shopping.

This year's design is definitely not my favorite. Aren't we always our own harshest critics? Below is a lineup of my work over the years. I loooove my paper.


The bottom three are "Christmas Surprises:"



Materials used for this project:

• Clothing design from "Mad Men Yourself"
• Needle and thread
• White organdy ribbon
  
• White velvet ribbon
• White pompons
• Sharp paper scissors
• Paper, A2 and A4 cards and envelopes from Paper Source
• Glue

Final note: Until I put together the full lineup, I didn't realize that I have been making these cards for the past eight holiday seasons. Time flies, as evidenced by my long absence. I hope that everyone out there has had a great 2009; cheers to an even better, more creative 2010!

Cover Up!

As it may be becoming clear, I am sometimes reluctant to spend money on furniture. Especially if I'm not convinced that I like something, I tend to look for the cheapest solution. Sometimes, I'm stuck in a state of limbo since I assume I'll upgrade in the future; I just don't want to upgrade right now.

This week, it's yet another piece of IKEA furniture that I'm trying to cover up. This time, it's really a cover up. Literally.

I have a television in my bedroom that I would love to get rid of. It's insanely heavy (Sony likes to make 'em solid) and kind of unsightly compared to sleek new LCDs and plasmas. The only problem? It still works great, it's bulky, and it needs something to sit on. Enter the IKEA side table as TV stand:

Blech. Double blech to all the crap that is on the shelves underneath the TV. Crappy DVD player, essential but ugly DVR, old N64 for MarioKart entertainment, and sewing basket for all my stupid odds and ends. Messy, no?

Since all the other wooden furniture in the bedroom is black, I thought covering it up in black fabric might be a good way to make it blend a little better. (Yes, the image above already has the fabric covering on it. The TV was too heavy just to move for the picture.)

I measured the table and bought a length of black duck cloth that covered the entire circumference of the unit plus a little extra for the top. From past experience, I made myself a little diagram to ensure that I didn't screw up the measurements too much:

Then, I marked the cloth with a dressmaker's pencil and cut the cloth along the lines I had marked using a good sharp pair of sewing scissors.


Now comes the hard part for those of us who weren't raised to make clothes for ourselves. I hemmed the bottom and side edges of the cloth with a 3/4" hem by finishing the edge with a zigzag stitch and then hemming a straight stitch hem. Then, I sewed the top cover piece to the side covering leaving one end open. A key move here was basting the fabric. The four images below all show the top fabric basted to the side fabric.

Lastly, I sewed on snaps to fasten the front flap to the overhang I left. I am bad with snaps. See my key lessons below for more on that topic.

The end result doesn't look fantastic, but it looks better than having all my crap exposed:


Plus, there was a huge bonus feature! I built in the snaps because I assumed that I would have to unsnap the cover every time I wanted to use the satellite box/DVR. It turns out that the duck cloth is a loose enough weave that I don't need to unfasten the fabric to use the equipment. Woo!

A few lessons learned on this particular project:

• Always give yourself a little extra room when working with fabric. It tends to scoot around on you.
• Basting fabric (pinning two pieces together where you want to sew them) prior to committing needle to fabric is critical. If I hadn't done that, I would have had one very uneven cover since I would have run out of fabric before everything was covered.
• Snaps are easy to screw up, even though they look simple. Make sure you match up what goes where before you start sewing, because there are a multitude of ways to screw up the orientation. I didn't do this and literally had to resew snaps 6 times. (Quite a feat considering I only had 4 snaps to sew.)
• Account for the fact that there will be gaps in the fabric unless you plan to cover them up somehow. That's why all shirts are designed with overlap where fabrics connect. I don't why, but I assumed that if every fabric seam was straight, there wouldn't be any wood peeking through. Oops.
  

Materials used for this project:

• Tape Measure
• Black duck cloth: 2 yards
• Dressmaker's pencil
  
• Sewing Scissors (sharp ones)
• Sewing Machine
• Black Thread
• Needle
• Snaps

Profile Picture

As I may have mentioned, I am not the greatest artist. I like being creative, but it's not like I was getting A's in art class. (The blog is called creative dribble, not artistic dribble.)

Once, I sketched a sculpture of a woman at the Art Institute in Chicago. Everything was basically fine until I got to the feet. Picture a 6 foot tall lady with size 3 feet. Proportions are tough!

That's why I love technology, which allows even the worst freehand drawer to achieve a level of accuracy on nose size, eye placement, and lip fullness that may have been completely out of reach before.

This week's project is a project for my guest bathroom. Again, I got my inspiration from that same Martha Stewart Living article that inspired my bench project. There was a small picture above a couch with their silhouettes cut out. A very cute way to illustrate their small family tree:

I loved the idea of the "love sihouette," so I decided to make one of myself and Chris for our guest bathroom. You start by taking a digital picture of your profile against a light background, like so:


Then, I took the intermediate next step of importing the image into MS Paint so I could color in the body of the photo and white out the background to get a preliminary read on what the silhouette would look like. I think that this step is a little unnecessary if you are confident in your profile decisions, but it was helpful for me in order to get the details of exactly how a chin or nose should look, or how the strands of hair should stand on the head.

Then, in order to get the cutout details just right, I cut out a smaller model of the silhouette so I could figure out exactly how the details would cut prior to the final version. Again, probably an extraneous step, but for those who lack confidence, it works pretty well:

Then, I used my scanner and powerpoint to blow up the image to the actual size I wanted:

Finally, I taped the silhouette to a black sheet of paper (from Paper Source, of course) and traced the silhouette to the back of the paper with a pencil. I had to be careful here to make sure the faces would be facing each other when I traced the picture, so I had to tape the sihouette on backwards for one of the images because we were both facing the same way when I took the picture.

I determined the size in part by the space I wanted to fill on the wall. It was tough to imagine life-sized floating heads on the wall, but anything smaller just didn't take up enough room. I found these great 12" x 12" LP album frames at CB2 that were just the right size and simple profile for what I wanted. They also had the advantage of having a glass back so I could have a floating image if I wanted it.

Now, for the mounting. I originally wanted to use a white or very light colored background for the backing, but when I got to the store, a lot of the papers I found were too "cute" or modern. I was looking for a bit more of a retro modern (modernized Victorian?) feel to the bathroom to match the bedroom. I finally found this cool transparent film with a silver damask-like pattern that provided the right feel, and would even let the pink wall behind it show through.

I glued the silhouette to the front of the transparent paper, and here is the final result:

Voila! Silhouette for the drawing challenged. They're no longer just the domain of the artists at Disney. It's a much easier project than I imagined. Give it a try if you have the chance!

Materials used for this project:

• A willing participant
  
• Digital camera
• Small craft scissors - sharp ones!
• Pencil
  
• Scanner
• Crate and Barrel LP Album Frame
• 8.5" x 11" text weight black paper from Paper Source
• 12" x 12" background paper - transparent with brocade design
  
• Glue